Mit Wolkenkratzer und Handtasche
Contributor(s): Resource type: Ressourcentyp: Computerdatei (Online)Computer file (Online)Language: Undetermined Publisher: [Erscheinungsort nicht ermittelbar], 2024-04Description: 1 Online-RessourceOnline resources: Summary: Museums and exhibitions were among the first venues where films could be experienced in public. After cinema had become the leading screening venue, there were calls for the establishment of autonomous film museums in various countries. It is remarkable to note how many film museum concepts were discussed.Film exhibitions in museums and debates about creating a permanent film museum reached a peak in the 1920s and early 1930s. In the context of temporary commercial exhibitions, museographic methods were implemented, possible exhibits found, and presentation methods explored. Both the concepts of the exhibitions in Europe and the USA and the debates were determined by film theoretical assumptions and the film culture of the time. Science museums initiated their own film sections within the permanent exhibitions. While there was a plurality of methods between the institutions, they were mutually influenced through cross-border networking. The exhibition for the 60th anniversary of cinema exported the Cinémathèque français' concept of a film museum internationally in the 1950s, so that visitors in Munich and Berlin also had the chance to understand a certain type of exhibition associated with the notion of a film museum. The German Film Museum in Frankfurt am Main was created in the knowledge of the canonised position of the Paris institution, but at the same time took up the history of film exhibitionsPPN: PPN: 1918619506Package identifier: Produktsigel: ZDB-94-OABNo physical items for this record